31 Ekim 2019 Perşembe







Exhibition

“Ass memory Ma chınes“

Artists:
Babi Badalov, Damian Le Bas, Delaine Le Bas, CABOCO (Benjamin Abras / Nástio Mosquito / Junior Fernadez), Baran Cağinli, Chto Delat - events and aroundChto Delat, Lusine Djanyan and Alexey Knedlyakovsky, Juan-Pedro Fabra Guemberena, Kholod Hawash, Fatoş Irwen, Saddam Jumaily, Spartak Khachanov, Barış Seyitvan / Mehmet Ali Boran, Issa Touma

Musicians: Lil Baliil, Ramy Essam, Paleface Official, Grammo Suspect - Rainbow Ambassador Kenya

Curators:
Ivor Stodolsky and Marita Muukkonen

AR Pavilion Helsinki - Mass Memory Machines

The violent injustices, dramatic specifics and complex trajectories of the emergencies which put artists at risk - be they Afro-indigenous Brazilians, Iraqis or Kurds from across ancient Mesopotamia’s blood-soaked contemporary borders, secular artists under religious regimes, Europeans of Romani descent, dissident ecologists, or indeed any dissenting voices resisting the crude appeals of hydra-headed fascism - are all radically different. 
From a perspective of safety - where you, dear reader, are most likely located - all of these violations of physical dignity and freedom of expression are clustered under one universal: their haptic absence. In other words, these emergencies are scarcely felt in the here and the now. Or do you feel something that scrapes your skin, embattles your ears, stings your eyes - your very own - dear reader? 
Emergencies flash by on screens, generated somewhere, somehow by someone, or some algorithmic machine. One by one, each is soon suppressed by newer news, with the angry seas of mass (mis)information rising. It’s always been easier to let yourself forget.
The Helsinki edition of the Artists at Risk (AR) Pavilion is an exhibition of first-hand witnesses and story-tellers; bodies as living documents; makers of unmade monuments; creators of memory-machines of worlds whose language you may have forgotten, denied or never learned. Translating the physically-absent into the mentally-present: the art of making memory.

A few questions.

“Why are We always on the Outside?” asks a great artist, a Gypsy as he calls himself. This massive work, which hung on the outside of Moderna Museet Malmö, and on a central square in Berlin, now adorns Helsinki’s Eerikinkatu. Are the Romani people, Europe’s largest ethnic minority like he says, “1000 Years Refugees”? 

Water climbs slowly to efface one of the first sites of human settlement, 12,000 years old. Streets and cafes are submerged, homes follow, then generations of dwellings, entire civilizations, human-geological strata. This settlement is not cursed by angry gods; nor is this a biospheric response to our anthropocene hubris. We are speaking of just another dictator’s dam. Do you remember Hasankeyf?

What is that war about, in the blood-soaked steppes of Ukraine? Or that war, in 1918, on Helsinki’s Long Bridge? Brother kills brother, and their sisters make the ammunition. Can bullet-holes be filled with molten bronze, to heal the wound? Or should a civil war be manifested in beaten iron figures and the screaming of the wind? 


Artists at Risk (AR) is an institution at the intersection of human rights and the arts. AR is dedicated to mapping the field of persecuted art practitioners, facilitating their safe passage from their countries of origin, hosting them at “Artists at Risk (AR)-Residencies” and curating related projects, such as the AR PAVILION.

This exhibition format was launched with the AR Pavilion - Athens (Biennale, 2017); continuing with the AR Pavilion - Istanbul (parallel programme, Biennale 2017); the AR Pavilion - Madrid (Matadero-Madrid, Transeuropa Festival 2017); and the AR Pavilion - Berlin (Aufbau Haus / Nordic Embassies, Berlin, 2018). Bringing this format home to AR’s first base, PM is very pleased to launch the 5th AR Pavilion - Helsinki.

Perpetuum Mobile (PM)’s  Artists at Risk (AR)-Network currently comprises 12 operational, former and future AR-Residencies across Europe and Africa.

Generously funded by the Finnish Cultural Foundation - Suomen Kulttuurirahasto, the City of Helsinki - My Helsinki and Koneen Säätiö - Kone Foundation, Taiteen edistämiskeskus - Taike, Saastamoisen säätiö - Saastamoinen Foundation, Saaren kartano - Saari residence, Nordisk kulturkontakt. 

Image Credit: Saddam Jumaily, F16, 

2 Eylül 2019 Pazartesi

The Exhibition project "Di bin ezmaneki de /Under the same sky" brings media artists from Turkey, Europe and Canada to Karlsruhe, opening a dialogue at the offspace Luis Leu. The exhibited artworks range from protest to hope, from subversion to humor, from activism to poetry, and project freedom onto the wall.
Curators:
Barbara Zoe Kiolbassa - Barış Seyitvan
Artists:
Fikret Atay
Khadija Baker
Mehmet Ali Boran
Aşkın Ercan
Murat Gök
Fatoş irwen
Berat ışık




7 Mayıs 2019 Salı




Rulo Cate (2017) yerleştirmeden görüntü...

4 Nisan 2019 Perşembe

Videolar

Wire Walker (2014)



in midst of the border (2014)



A hero (2013)


The gate (2013)


Media (2012)



Area Defance (2012)


Refresh memory (2011)



Silent scream 2010


Hazır Ol durumları (2009)


The departed





5 Şubat 2019 Salı




                                           BOŞLUKLARIN ANLAMI

     Yaratıcı Edebiyat ile Görsel Sanat Arasındaki Şiirsel İlişkiler Çalışmalarını Düsseldorf’ta sürdüren bağımsız küratör ve sanat tarihçisi Necmi Sönmez, Boşlukların Anlamı isimli konuşmasında, çağdaş sanata yaratıcı edebiyat perspektifinden yakınlaşarak geliştirdiği deneysel sergileme modellerini tanıtacak. Bir serginin kavramsal alt yapısının hazırlanmasından sunumuna, belgelenilmesine dek geçen süreç, projeye katılan herkes için çok farklı görsel tecrübeler sunuyor. Bu tecrübelerin anlamlandırılmasında yaratıcı edebiyatın, özellikle de şiirin sunduğu yorumlama, soyutlama, olanakları, “düz anlatımın” kırılarak yeni izleklerin oluşmasına yardımcı oluyor. Sönmez 2000’den itibaren dünyanın farklı coğrafyalarında geliştirdiği sergilerinden, projelerinden yola çıkarak, üzerinde durduğu “boşlukların anlamlandırılması” temasını anlatacak.


    Dr. Necmi Sönmez doktorasını Frankfurt’taki J.W. von Goethe Üniversitesi’nde tamamladı. Çağdaş sanat bölümü küratörü olarak Folkwang Müzesi’nde (2001-2006), sanatsal direktör olarak Kunstverein Arnsberg’te (2006-2009) ve Alım Komitesi üyesi olarak FRAC Franche Comté’de (2007-2010) çalıştı. Halen Tate, Staatliche Museen zu Berlin, Deutsche Bank KunstHalle, Borusan Contemporary gibi kurumlarla birlikte projeler yürütüyor. 2015’ten beri SKIRA yayınevinde (Milano) danışman editör oalrak sanatçı monografileri yayınlıyor

16 Ocak 2019 Çarşamba




Mardin Müzesine Ezgi BAKÇAY ile birlikte..